Regular readers of my my blog will know that I first came across Polly Scattergood late last year and have been raving about her debut album which was released by Mute Records last month. Her album is one of the finest debuts that I have heard in years is musically is a cross between Kate
Bush, Laura Marling and dare I say Bat for Lashes. Her album is incredibility dark and introspective however charmingly humorous yet at times unnerving and just plain odd. All good stuff for a singer who has just turned 23 and has more in common with PJ Harvey than Sheryl Cole!
He gig at Cargo was the first London date in a while and the only show in the Capital of her current mini tour. Cargo which is just off the achingly trendy Hoxton Square in the East End seemed to be the perfect venue and was full of a cluster of fashionist’s, senior music industry figures and fanatical fans who turned up early to secure the best places at the front of the stage. Granted from a photographer’s standpoint it’s not ideal as it has to be one of the darkest venues in London and doesn’t have a pit which means that you need to jostle around with the audience which can be a bit off putting for both parties. That said Polly put on a great performance and managed to convey the passion and the subtleties of her music admirably well demonstrating that she’s just as comfortable on stage as in the studio. She is performing tonight (18th April) at the Academy in Oxford and tomorrow night at the Talking Heads in Southampton. I’m not sure if she’s doing any of the festivals this year so if you are free this weekend and nearby you should check her out.
As for the album if you only buy one debut album this year make sure it’s hers as you won’t be disappointed. Just to give you a flavour of what I mean i have included an expert from NME’s review last month
“A fantastically dark and unsettling debut. Deceptively light on the ear at first, Polly’s curious mixture of the everyday and the fantastic carries a serrated knife-edge. The musical backdrops – odd piano loops, discreet guitars, flutters of synth and adeptly deployed electronic percussion – frame songs in which you can’t get away from what Polly emotes. She has set a high-water mark for herself with this debut that she can and surely will surpass. The mind boggles – in a great way – as to exactly what she’ll be up to in 10 years time.” – NME – 8/10
Review by John Rahim
