LIVE music photography

It’s hard to believe that Edwyn Collins first broke onto the music scene over 30 years ago and was one of the first artists to set up a record label North of the border. Years before Creation or Jeepster Edwyn and his partner Alan Horne set up Postcard Records which spanned bands such as his own “Orange Juice”, “Joseph K”, “Go Betweens” and Roddy Frame’s “Aztec Camera”. Although Postcard was short-lived is was highly influential and was regarded as pioneering by many established Glasgow bands including “Franz Ferdinand” , “Belle & Sebastian” and the excellent and hugely underrated “Lloyd Cole & The Commotions”.

Some 10 years after his first major hit, “Rip it up”, Edwyn had a monster smash with “A girl like you”, incredibly this record was released 13 years ago and in the meantime Edwyn has released some fine records however this has been overshadowed by the terrible brain haemorrhages which he suffered three years ago. This hospitalised him for over six months and it took him years to perform again. Despite walking on stage with a walking stick and having to sit down while performing Edwyn had lost none of his style or wit. Dressed in a dapper tailor made suit the first couple of numbers were excellent and his voice was as strong as ever.

His last album “Home Again” which was released last year on Heavenly Records was recorded before his illness however mixed and post produced in the middle of last year. The album is a classic and shows that Edwyn has many more years ahead of him as an artist and performer.

Written by John Rahim

I first saw Justin Nozuka last year supporting Crowded House at the iTunes festival. I was really taken by him and was surprised to see that within a year he was playing The Roundhouse which is a huge 3,000 capacity plus venue. What I did’nt know was that the lower part of the Roundhouse is made up of a number of small spaces where up an coming musicians and artists can perform intimate shows to small audiences. The Roundhouse is one of my favourite venues and is becoming the Barbican of the North (London that is).

Justin who is half American/Japanese was born in New York however grew up in Canada. Musically the obvious comparisons would be Jack Johnson, Ray LaMontagne and Damien Rice however live he is much less polished and has a rawness that some of his contemporaries lack. His album has had critical acclaim in Canada however has fared less well in the UK despite having some favourable reviews in the broadsheets and the more serious music press. Although I had problems finding a physical copy of his debut “Holly” iTunes are selling it for a very reasonable £5.49 and is well worth picking up.

Justin is one of those artists who really deserves to be getting more recognition and I hope that he gets picked up by Jools Holland as I feel confident that he could sell to a much broader audience if he had the exposure. It’s a shame that there are not more avenues to break artists such as Justin in the UK. The Jools Holland Show is great and has been responsible for breaking some very leftfield acts such as Seasick Steve however until mainstream radio stations start supporting new acoustic acts I fear that they will continue to struggle.

Written by John Rahim

So after months of speculation it would appear that London’s grubbiest West End venue has been given a reprieve from the developers of the new cross rail train link. I have a love hate feelings towards the Astoira. It is truly grotesque, the men’s toilets in the aptly named Keith Moon bar makes Ewen McGregor’s experience in trainspotting look like a 5* suite in the Mandarin Oriental. Also why should you be banned from taking plastic cups into the urinals? What next a beer themometoer checker? That said it is the only decent venue over 2,000 people in the West End and has a decent sized photographers pit (a very important point).

So to Supergrass, the band have just released their 6th studio album, “Diamond Hoo Ha” which has had some fairly good reviews. The band performed a number of tracks from the new album as well the big hits from their early years. Supergrass are one of those bands who enjoyed a considerable amount of success very early in their career. Their debut album “Should I coco” which came out in the mid 90’s spanned their most memorable singles, “Caught by the fuzz”, ” Lenny” and their huge hit “Alright”. Bands seldom recover from novelty hits, just look at The Boo Radley’s or The Shamen however Supergrass’s strong songwriting ability coupled with a very strong fan-base ensured that no long term harm was done.

So now that they are now in their late 30’s it was good to see that they had not lost any of their passion and ability to put on an energetic live performance. Whilst I would not recommend that you rush out and buy their new album I would endorse their live performance which was as solid as ever. I have not seen all the festival listings for this summer however hopefully they will be appearing at more than just the Wakefield Festival in Blenheim Palace. The only question I have is are they appearing before or after the puppet show?

OK that’s probably the worst pun that I can think of however after watching Portishead and Elbow in the same week at the Brixton Academy I think I need some light hearted nonsense!

The last time I saw The Hives was at the Reading Festival in 2004 although they are pretty good in a festival environment their unique bonkers style works perfectly in a more intimate environment. The Hives are one of those interesting bands who despite having never been regarded as cool still have the ability to sell out tours and CD’s by the truckload. Their new album “The White and Black album” was produced by Neptunes and N*E*R*D front-man Pharrell Williams this is their 5th album in 10 years and despite being a departure from previous albums is still as immediate as their 2004 release “Tyrannosaurus Hives”.

OK it’s not as cutting edge as some of the new acts out there (Blood Red Shoes, MGMT, Foals) however it’s a perfect holiday, gym cd and I don’t mean this in a critical way.

Written by John Rahim

This has been a bit of an odd week for gigs. First The Breeders now for the cheery Bristolians Portishead who are almost prolific as The Stone Roses. They are just about to release their third album a mere 14 years after their Mercury Music winning debut album “Dummy”. Admittedly “Dummy” was a groundbreaking album which kick started the commercialisation of the trip hop movement however I wonder what they have been doing for so long?

Well whatever they have been doing is can’t have been much fun as Beth Gibbons and her jovial pals looked rather pissed off. Even though Beth is from Devon I’ve always regarded her as a fellow Scot. She looks Scottish, doesn’t say much and looks like she’s just walked out of an Irvine Welsh novel, hell she could even be related to Bobbie Gillespie?

The gig was pretty good and whist they were not the most dynamic band that I had seen live had a great Warholesque projected back drop which was the perfect visual accompaniment to their music.

Written by John Rahim